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THE BLOOD-RED HEART IS WELL AND TRULY PUMPING

Not only does she play the role with a quiet fortitude, she shows us how Carmen, although still attractive and seductive, does not let this become her only pathway of communication. Surguladze also depicts her determination, quick wit, intelligence and self-worth, giving her a much more truthful character core. Her voice is mesmerising: soaring with dramatic power one moment, brazenly dismissive the next, or tearing at our emotions with poignant subtlety…

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Zwischen Höllenritt und Apotheose

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Liège: La damnation de Faust / Online Musik Magazin ... Nino Surguladze verfügt als Marguerite über einen samtig-warmen Mezzosopran, der auch zu dramatischen Ausbrüchen fähig ist. Bewegend gestaltet sie die Ballade vom König in Thule, kurz bevor Faust ihre Kammer betritt. Überzeugend gelingt ihr auch die Darstellung von Marguerites Trauer, nachdem diese von Faust verlassen worden ist. ...

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La Damnation de Faust – Opera Royal de Wallonie

Nino Surguladze Faust

Die Georgische Sopranisten Nino Surguladze, die eine bezaubernde Marguerite gibt, war bereits 2014 in Lüttich zu Gast. Damals gab sie die Amnéris in Aida. ქართველი მეცო-სოპრანო ნინო სურგულაძე, მომაჯადოვებელი მარგარიტაა, უკვე იყო სტუმრად ლიეჟში 2014 წ. მაშინ მან ამნერისი განასახიერა აიდაში. [caption id="attachment_1184" align="alignnone" width="851"] Nino Surguladze Faust[/caption]

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Opera Now about Romeo et Juliet

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„The score was delivered by a sensational lineup of singers, guided by conductor and Bellini expert Fabio Biondi… Soprano Kristina Mkhitaryan totally nailed Giulietta in this phenomenal and touching performance, her voice always crystal-clear whether on the softest of higher notes or in the warmer lower registers. With her velvety voice, mezzo Nino Surguladze was equally dazzling as Romeo.

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Liebe in Zeiten des Wahnsinns

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Liebe in Zeiten des Wahnsinns. Bellinis «I Capuleti e i Montecchi». Eine überzeugende Produktion der Opernkompanie im norwegischen Bergen. "Die Mezzosopranistin Nino Surguladze ist ein außerordentlicher Romeo; als Teenager hat sie bereits in Filmen reüssiert und sieht tatsächlich aus wie das missing link zwischen Audrey Hepburn und Anna Magnani. Sie spielt mit vollem Einsatz, singt mit warm-samtenem Ton, den sie dramatisch konzentriert, ohne spitz und zu metallisch zu klingen. Wir hatten gerade noch Joyce DiDonato bei ihrer Zürcher Interpretation dieser...

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The score was delivered by a sensational lineup of singers

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Opera Now "The score was delivered by a sensational lineup of singers, guided by conductor and Bellini expert Fabio Biondi... Soprano Kristina Mkhitaryan totally nailed Giulietta in this phenomenal and touching performance, her voice always crystal-clear whether on the softest of higher notes or in the warmer lower registers. With her velvety voice, mezzo Nino Surguladze was equally dazzling as Romeo. The blend of voices was superb, with both women beautifully articulating the fragility and fierceness of teenagers in love."

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Un’“Aida” convincente quella di Steinberg

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L’opera di Verdi chiude al meglio la stagione estiva del Teatro di San Carlo di Napoli Nino Surguladze è stata Amneris perfetto nel suo ruolo dominante; il mezzosoprano georgiano ha definito la sua presenza come un baluardo inscindibile dalla drammaticità dei due amanti, ovvero Aida e Radames.  

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OPERA I VERDENSKLASSE

http://ninosurguladze.com/testimonials/opera-i-verdensklasse-nino-surguladze-bergen-national-opera-nino-sutguladze-romeo-juiet-kristina-mkhityrian/

"Jubileumsforestillingen lørdag ble en oppsummering av hva Bergen Nasjonale Opera står for, kvalitet i alle ledd" - Bergens Tidende gir full pott til Romeo & Julie [caption id="attachment_1068" align="alignnone" width="462"] Bergen National opera, Nino Sutguladze, Romeo & Juiet, Kristina Mkhityrian[/caption] Her er et utdrag fra anmeldelsen, les hele i dagens BT: "De sang som om de var én kropp sømløst og sensuelt" - Om Kristina Mkhityrian (Giulietta) og Nino Surguladze (Romeo) "Høydepunktet i første akt ble den kjente arien O...

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Nino Surguladze scolpisce una Amneris di alto livello

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Nino Surguladze scolpisce una Amneris di alto livello. È innamorata di Radamès come Aida, ma al contrario di Aida non è una schiava, è la figlia del faraone. Un privilegio su cui fonda la totale e talvolta perversa sua personalità. Tutto il suo mondo è l’amore per Radamés, mentre la guerra con tutto il suo bagaglio di dolore le è estranea. Per esso è subdola e sottilmente bugiarda nella esplorazione dei sentimenti di Aida quando le fa credere che Radamès...

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