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Luisa Miller, Budapest, 2015

“Nino Surguladze [...] showed lovely timbre in her role as Federica, the Other Woman.” https://bachtrack.com/review-luisa-miller-ganci-mosuc-rustioni-san-carlo-budapest-april-2015

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Georgian mezzo feels ‘Carmen’ in her soul


      “Nino Surguladze arrives at her interview clad in black and white with a straw hat and big, round sunglasses. She looks more like Audrey Hepburn than the Penelope Cruz of bel canto (which she's been called), although the latter might be more appropriate. Surguladze is in San Diego to sing Carmen, the fiery gypsy in Georges Bizet's 1875 opera.” http://www.sandiegouniontribune.com/news/2011/may/11/georgian-mezzo-feels-carmen-in-her-soul/

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Entre lo bueno y lo convencional


    "Nino Surguladze fue una Dorabella de buenos medios vocales, gracias a una voz de carnoso timbre.” http://www.lasprovincias.es/valencia/20090302/cultura/entre-bueno-convencional-20090302.html

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A review of El País – Così fan tutte : Comedia melancólica


    "Joan Martín-Royo (Guglielmo), por el contrario, lució una afinación impecable, aunque su instrumento tuviera menos squillo. La Dorabella de Nino Surguladze, con una voz bien timbrada, hizo junto a él un encantador dúo en Il core vi dono.” http://elpais.com/diario/2009/03/02/cvalenciana/1236025092_850215.html

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Prokofiev – პროკოფიევი


    “The outstanding performance comes from the delectable Georgian mezzo Nino Surguladze as Donna Clara, the fugitive who takes refuge in the monastery of the title." Opera_-Your-country-needs-you-_-The-Sunday-Times

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